Though you’d view it with surprise, there was a time when
rap lyrics weren’t about murder, wife beatings, gold rings, or revenge. There
was also a time when graffiti wasn’t meant to be hateful vandalism. When it all
began, it was about brightening a city that was a dreary, grimy, smoggy mess.
The graffiti may have been an eyesore to most, but without it, the NYC subway
cars were already filthy. It’s not like the city ever bothered to clean them.
That’s the Joint
portrays hip-hop as a tree growing out of garbage and rubble. Everything to do
with hip-hop and graffiti spread by word of mouth, not by the press or radio (these
were the pre-internet days of course.) In Jeff Chang’s essay Zulus on a Time Bomb: Hip Hop Meets Rockers
Downtown he portrays graffiti as having been obscure until Henry Chalfant
began photographing it. Chalfant was a classically trained sculptor, by the
way, who became fascinated by subway car murals, and his photos brought it
mainstream. Of course you then had the big businesses try to cash in on it, and
then Mayor Kotch put greater effort into power-washing the paint off the cars,
so the graffiti craze quickly ended.
This book has neither illustrations nor photos, so it comes
off more as a serious study of history than anything else. There weren’t any
real surprises in the book, and that isn’t necessarily a bad thing either; I
watched the VH1 documentary NY77: The Coolest Year in Hell, which also tells
the story of hip-hop’s origins. When it began in the late 1970’s New York City,
it was more about cheap amusement than fighting. In fact hip-hop shows were a
refuge from crime and violence. The equipment was bargain-basement stuff, and
the performers and DJ’s didn’t prance around in gold chains. Similarly, with
punk rock (also gaining ground at the time) the “fashions” were thrift-store rejects.
In the documentary The Filth and the Fury, John Lydon recounts how the leather
jacket emblem of punk rock was based on a misconception:
None of us could
afford fifty quid for a leather jacket, not in UK in 1978. None of us had that
kind of money. He must’ve stolen his, and then you see him in the papers in his
leather jacket, and all of a sudden, you have all these kids wearing them.
However, I did not agree with much of what Michael Eric
Dyson says in Cover Your Eyes as I
Describe a Scene So Violent. He blames the NRA for perpetuating the US gun
culture, and blames violence in the “Ghetto” on smaller and smaller living
spaces. But this isn’t true for several reasons; first off, the NRA neither
advertises nor lobbies towards black men, and secondly, in the most violent
neighborhoods there is no shortage of housing. The South Bronx and Jamaica in
NYC, South Side of Chicago, Compton in LA, and the worst parts of Detroit are
teeming with massive housing projects and/or empty buildings. In the
controversial All God’s Children: The
Bosket Family and the American Tradition of Violence, the author Fox
Butterfield has a different approach, no guns involved. He blames
black-on-black killing as a low-class southern habit. He claims that in the Old
South, there was a culture of revenge; the word no was an insult, and all
insults had to be avenged (just like in Naples, Italy and in Albania, and often
in Latin America.) The “you disrespect me, I’ll pop you one,” phenomena didn’t
originate in Africa.
That’s the Joint
makes up for what it lacks in illustrations with some great writing by top
notch writers. Even when some of these writers are wrong, it still makes you
think. Hip-hop is controversial, as it was 30 years ago, and will still be
controversial in later years. I remember back in 1991, my parents were watching
The Beatles movie Magical Mystery Tour
and said “their lyrics were smart, this rap garbage won’t last.” Well it’s been
23 years, and rap sure did last. I’m going use this book when I teach US history
to high school students from now on. In the past decade there’s been a mania
for all the music and fashions of the early 1980’s, which none of the aficionados
are old enough to remember. It would be wonderful for them to learn where it
all originated.