Roseanne Cash came here in 1991 from Nashville, Tennessee,
her work newly rejected. He artistic music didn’t excite the country music
business, at least not like her previous songwriting, but she found herself right
at home in the city’s folk music scene. Shopsin’s restaurant, immortalized in
the documentary I Like Killing Flies, was a bastion of weirdness and rudeness,
quite a change from Southern hospitality. The neighborhood had nice
playgrounds, and they weren’t especially crowded. Today they’re usually jammed,
thanks to the massive increase in the number of kids, leaving behind all their leftovers, and that attracts snack-loving rats. Twenty
years on, everything’s more expensive, and the streets are once again filthy.
Patricia Engel has an interesting story with regard to
housing. She preferred to live with violent junkies than live in the NYU dorms.
She has a liking for rough trade, so I guess she would’ve preferred the 1970’s
New York, but she’s not as tough, hip, or independent as she thinks she is.
Engel would run screaming from the South Bronx, where I doubt she’d fit in at
all, and I wager she wouldn’t want to live in a housing project. Aside from the
danger, there wouldn’t be much for her to do in the South Bronx, at least not
as much as there is in downtown Manhattan. Perhaps, like many overconfident
young women, she’s just “slumming” for a cheap thrill?
Colin Harrison, map collector, discusses his love for the
city, as does Whoopie Goldberg, whose experiences in NYC made her feel right at
home in Germany. She grew up in the 26th street projects, where a
number of German Jews were living, and her mother encouraged her to pick up on whatever
she could.
This book comes along on the heels of another book called
Goodbye To All That, where the writers discuss why they left the city. In that
book, they all preferred small towns or farms, so it’s no wonder they left.
Others, like the writers mentioned here, prefer living in a metropolitan area.
John Lennon, for instance, chose Manhattan over London, and became a well-known
fixture on the Upper West Side. He lived there when it wasn’t so popular,
mainly because the Jewish-Americans who lived there didn’t give a damn who he
was. Unlike younger New Yorkers, he lived in the secured Dakota building, not a
townhouse in the West Village. You see, while a lot of New Yorkers come here
for the experience, they don’t want the dangers.
Something tells me, a lot of these folks would’ve gotten fed
up with the city after a few years, had they come here before Guiliani cleaned
it all up.
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