Oxford by Matthew Rice

   Matthew Rice, with his beautiful illustrations of Oxford architecture, reminds me of an earlier book titled 750 Years of Paris. In a city with old buildings, the history is preserved, not only to show the city’s origins, but how it has changed over the years. In this book, the watercolor illustrations of Oxford buildings go from the earliest standing structures, to the modern era. We learn how the city was dominated by the famous school from its earliest days, and how the students and teachers were a major influence on the community. He writes how Oxford is ringed with green pastures, and since it never industrialized, it avoided the pollution and overcrowding of the other English cities. One other blessing of non-industrialization is the lack of crime.

   This book teaches us a lot about how and why Britain retained its storied history. Take for example Godstow Abbey, of which only a wall remains. The ruins sit in a field and haven’t been torn down, so it remains there as a reminder of what the town used to be. One reason for its posterity is that there was no building boom (no factories means no housing demand) so nobody was desperate to clear the land. Then you had the landowners, who liked having mock ruins, or “follies,” in their gardens, so having a real ruin was even better. At the most recent, you have the National Trust, set up to preserve the lands and ancient homes (or take them off the hands of dirt-poor aristocrats who can’t pay the inheritance tax).

    Differences in architecture abound in the city of Oxford. Christchurch Cathedral is built in the Gothic style, with arches, columns, flying buttresses, and huge windows, while St. Cross and St. Ebbe’s are built in the earlier Saxon style after the Norman conquest of England. The Saxon style has similarities to Romanesque architecture, with heavy doors, thick walls, small windows, lack of décor, and a generally defensive structure. Their sturdy build is in line with their second use as a secure building, as the Saxon and Norman eras were a period of instability. 

   In another nod to history, England’s architects were often loath to let go of old styles, which is why some of the houses look older than they are. The Beaumont Street houses were all built in the 1820’s, and designed to look like the St. Gile’s houses, built a century earlier. No. 78 Woodstock road, built in 1892, looks a lot like Hampton Court Palace; it has red brick walls, peaked windows, and a stone arch entrance. Oxford’s free-standing stone towers were part of the city walls but were left behind when the walls were torn down years ago. Over the years they’ve been refurbished with new material, but their original styles remain. My research shows that in the 1800’s, the Church of England sold off a lot of the small old churches, and the new owners kept them intact. Many of the older churches have been converted to restaurants, preschools, and gift shops. You can say that oxford’s buildings are a curious mix of old and new.

    The illustrations have a very warm and intimate tone, less of an architectural drawing and more of a children’s book illustration. I think that the author could do a version of this as a picture book, to teach children about Oxford’s history.