The advertisement for this book was shocking enough, a bunch
of boy prostitutes turn up dead in Old New York, then Teddy Roosevelt enters
the case, along with a criminal profiling psychologist named Kreizler. Couple
that with the sleaze and vice of the era, and you know it’s going to be
disturbing. The book’s famous cover, with the lone cloaked figure walking in
the snow, makes things look eerie. Who is he, I wonder, and why does he appear
so confident? When I first saw this book I got a feeling that this would be New
York’s Jack-The-Ripper, and I was right. As for the term “alienist,” that’s
what psychologists were called in those days. Even the title sounds creepy.
Caleb Carr weaves
a creepy historical thriller set in turn-of-the-century Manhattan. In a
creative turn of revisionism, Carr makes Gilded Age New York look like a
three-ring circus with a lot of creepy sideshows. Young girls and boys are
lured into prostitution, all of them are addicted to morphine, and the police
are corrupt. An alcoholic gambling reporter gets an invite from Teddy Roosevelt
(his Harvard classmate) and a Hungarian-born psychologist (also a former
classmate) to catch a serial killer. The victims aren’t the kind of people
anybody would miss; they’re all boy prostitutes from immigrant families,
turning up dead near the river, and the families make little effort to know
their whereabouts. The only reason that Roosevelt wants to stop the killer is
that the media may soon catch on, and as Police Commissioner, the bad publicity
would ruin his career. There are others who want to avoid bad publicity, but
their way involves squashing the story.
Carr inserts
plenty of historical characters in here, making most of them look bad. Anthony
Comstock appears in all his evil glory, along with evil Archbishops and a
patronizing racist photographer named Jacob Riis. My apologies to those of you
who put him on a pedestal, but I loved Carr’s portrayal of the guy. He makes
the famous “social reformer” look like a nasty, stuck up, racist prima donna,
who has his own preconceived ideas about how people should all behave.
Roosevelt isn’t made out to be such a great guy either; he’s portrayed as a
pompous blowhard, and a bit of a bully too. The funniest characters are the
Isaacson Brothers, fat Jewish intellectuals who Roosevelt has brought in to be
detectives. Though they’re totally unsuited for police work, they do have
amazing detection skills.
In the past
decade, we’ve had so much nostalgia for the old New York. Old movies that
portray the 1970’s grit and sleaze are more popular than ever, and people
reminisce about the old East Village punk rock scene. What people often ignore
is that New York City was always rough and dirty, even in the 1890’s. When I
read this book, I really got a sense of being in a creepy, dark place, where
the street lights are dim and trouble lurks behind every corner.
The Alienist was published way back in
the 1990’s, and still read today. I read it in 1999, back when I was living in
the city in my first apartment, before New York nostalgia was all the rage.
Unlike today, you didn’t have all the amateur historians with their blogs about
Old New York, so the information on the city’s past life was limited to the few
books here and there, and they all got the facts different. This book was like
a murder mystery, horror movie, and museum display all rolled into one.