Wednesday, January 27, 2016

Graphic Cosmogony

    God (yes, the regular one) has a problem in Deity School; his boring life doesn’t involve throwing lightning bolts, making tidal waves, or flying around on winged feet. He doesn’t get any funky clothes like togas, horned helmets, or winged helmets. So what is he to do for his school project? He makes a beautiful diorama of his universe…considered weak in a class where the other deities juggle planets. This short comic is written and drawn by Andrew Rae, a frequent illustrator for the New York Times. He turns the Judeo-Christian deity into an out-of-place schoolboy, who can’t compete with exotic paganism. It makes you think about how pre-Judeo-Christian beliefs must’ve been a lot more fun, with all those marvels of ancient mythology.

    Graphic Cosmogony is a collection of creation stories, illustrated by well-known commercial artists. Most of the work is only semi-realistic, no Marvel Comics muscle or faces here, not even any Robert Crumb. Take Daniel Locke’s Moshiri Ikkewe Chep story, about the Ainu myth of creation. The work is reminiscent of woodblocks, with bulky shapes and only two colors-blue and black-to give it a dark, underwater feel.


    Most of the works in this book are ironic, as in the case of Jon McNaught’s Pilgrims. They pull up to a church in the middle of nowhere, tour the interior, take pictures, and then they leave the place the way they came. This holy site is really just a lonely place that only exists because people come to see it. Would these “deities” exist if nobody worshipped them? Maybe this book is a metaphor and parable on the lives of artists; would their work exist if nobody looked at it?

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