My first reaction to this book was the illustration. It uses
very simple imagery, in the form of faceless people and blocks of color. In
some ways it reminded me of the 1950’s children’s books here in the USA. As for
the story, there isn’t any text, but the chronology is shown using the building
as an example. In each era, the view changes to reflect the times. 1950’s Paris
has movie posters, cafes, and trucks passing by. The 1968 unrest has burned
wood and barricades. Then the building gets a facelift, and a glass solarium
added to the roof. A procession of demonstrators march past, in support of
Charlie Hebdo.
Though I don’t want to take attention away from Vincent Mahe’s
work, it does remind me even more of Will Eisner’s Dropsie Avenue series. In that set of comics, Eisner gave us 120
years of a South Bronx neighborhood, shown through the changes to a building.
New tenants came and went, new owners bought and sold it, good and bad things
happened in there. In a lot of ways, Paris is like New York; it was built on history,
saw major changes to the nation, was a hotbed of radical ideas, had an
immigrant population, changed dramatically every time there was a war, and
became a center of food, art, literature, music, and philosophy.
My research shows me that the author is a Paris-based
illustrator, and his artwork looks a lot like Herge’s Tintin. Maybe Parisians
like this style, with stark blocks of color? As for the publisher, the book
came from Nowbrow press, which gave us an equally great book about Robert
Moses.
No comments:
Post a Comment