Originally published in 1988 by Twelvetrees Press, and now
reissued by Steidl, these photographs capture the Lower East Side of Manhattan
at the end of her life. When I say “end,” I mean that the buildings are vacant,
the trees are bare ad stunted, the streets are empty, and the people look empty
too. Schles captures them lying around in filthy apartments, hollow eyed, and
depressed. One of them shows a woman on the toilet, crammed into a tiny
bathroom, her dress hiked up to reveal her flabby legs. I remember the city in
the Kotch-Dinkins-Giuliani days; most New Yorkers were averse to being
photographed, and the subject here must’ve been pretty hopeless to let herself
be compromised like this. Regardless, I was not turned on.
In another photo, the neighborhood comes out to celebrate
the fireworks, everyone’s out dancing in the street. Other than that, there’s
no sign of happiness in this book. Everyone’s just waiting for the place to die
quickly so they can move on. Seen from a window on a hot summer day, weed-grown
lots and empty tenements. I know it’s the summer because the tree have leaves
and the sky is cloudless. But even the trees look sick. There are three cars on
the street, their windows intact. Is it because nobody’s there to break them?
Do the owners move the cars at night? One photo shows a bunch of tulips on a windowsill
overlooking an alley. They say that when a tree des, a thousand flowers bloom.
Today, the Lower East Side has good things. Community
gardens are well-maintained, streets are clean, kids can walk safely in the streets,
and there are healthy things to do. Young people have moved in, and they
proudly decorate their apartments. The neighborhood was once a dead tree, and
it finally fell down. Flower bloomed in its wake.
The grainy pics capture every horrible sad detail of the old
Lower East Side. Some might call it poor quality, but keep in mind that not all
artists are well-financed with the best equipment. The photographer may have
been too poor to afford a flashbulb, or maybe he bought some past-date film. I
remember when I started taking pictured in that era; I used grainy 400dx black
and white film. You couldn’t blow it up, but it was perfect for low light. Or a
dark, unlit tenement.
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