Few in history have disobeyed the racist warning of
To
Kill a Mockingbird, or more Black writers would follow Brathwaite’s path of
criticizing low-class Whites. Before I mention anything about the White working
class to a
Hillbilly Elegy debate, let me remind that Brathwaite is an
Englishman and his memoir takes place in London. Ignoring the silly 1967 film
version, I thoroughly enjoyed the book, which takes place in 1948, when London
was struggling after WWII and there was no G.I. Bill. This book is a contrast
to most stories of adventure, because it’s usually the upper-class Englishman
exploring Africa, not a Black Guyana-born former RAF officer surviving in
London. Furthermore, this man behaves like a judgmental English explorer when
he ventures among the White youth of darkest London; they are dirty, unwashed,
uncouth, uncultured, and with little appreciation for their country’s gifts to
history.
To Sir With
Love is a book that is unfortunately ignored today, a loss to all of us. However,
most books on the proletarian experience of post-WWII Britain are ignored as
well (Been in the Snooker Club, A Kid for Two Farthings, An East End Story)
as opposed to more “classical” works by writers like Mary Wesley. Even if
you’re not especially interested in the race or education aspects of the book,
you still get an eye into what Britain was like after the war ended. The author
comes out of his service in the Royal Air Force (where he experienced no
hostility) and finds that everyone – employers and the public alike – regards
him as a nuisance. There are dirty looks on the train and bus, signs
advertising rooms for rent are suddenly a mistake, and the fact that he risked
his life for Britain means nothing. Though he doesn’t mention it in the book,
the Polish RAF pilots got the same treatment. The British were happy to have
them while there was a war going on, but once the war ended, they were asked if
they wouldn’t mind leaving the country. Bloody decent of the Brits!
In terms of plot,
the memoir is relatively simple; born and educated in Guyana, graduate work at
CUNY, RAF crewman in WWII, demobbed in 1945, and unemployed (like most war
veterans regardless of color) in post-war UK. Unable to find work as an
engineer, he takes a job teaching 14-year-olds in a crappy school on Cable
Street, and here his adventures begin. This educated West Indian, espousing
upper-class airs, looks down on their foul mouths and foul hygiene. The famous
scene in the movie with the burning bra? Yes, it happens in the book. The scene
where he boxes with the class moron? Yes, that happens too, but at the very
beginning. These two events serve as a kind of icebreaker.
The story of the new
teacher who flies in to rescue the bad kids can be a genre unto itself. We have
The Water is Wide by Pat Conroy, and
Blackboard Jungle by Evan
Hunter, though in the latter, the hero teacher fails. Then there’s
Coach
Carter,
Dangerous Minds,
Freedom Writers,
Death at an
Early Age, they’re all cultural icons. Unfortunately, the main character is
always the nice White guy or the nice White lady rescuing minority kids, never
a Black man rescuing White kids. At the same time, how often do you see (in
USA, Canada, Britain, or anywhere else) a Black man or woman teaching White
kids? It’s rare. Coach Carter and Lean on Me had one or two White kids, but
they’re portrayed as misunderstood and suspicious. Both movies are also part of
the “Black disciplinarian” genre to which
An Officer and a Gentleman
belongs.
To Sir With Love is set apart from that genre because
Braithwaite isn’t tough, but snobby, with a clear disdain for Cockney ways.
It’s a reverse of
Heart of Darkness, with the horrors of Africa
replaced with gloomy East End London.
The kids who the
author tries to cultivate are misunderstood in every sense of the word. In the
1967 film, they were nasty and stupid for no reason, but the book explains that
in 1948 they were all angry. They’d lost their fathers during the war, and
their neighborhood had few male role models. The next problem was that they
weren’t expected to graduate high school in those days, so why would they make
any effort? Kids in the UK usually left school at 14 to work, unlike in the
USA, and there was no GI Bill or cult of upward mobility. When you grew up poor
in London, there was no expectation to move up the social ladder, and even
Booker T. Washington made note of this in his book Up From Slavery. When
Washington visited the UK in 1900, he noted how the American wants to be his
own master, but the Englishman wants to do the best he can in the position he
has.
While Booker T.
Washington refused to give his opinion on the English work ethic, Brathwaite
makes his disdain very clear. He would clearly like to see the kids do better
in life, so I can forgive him for being such a snob. I would also point out a
British film from the 1960’s, called
Spare The Rod, which is also about
a bleak London school. The kids are rude and dirty with no prospects, and the
teachers are too upper-class to relate to the kids. The difference between the
two stories is that in
Spare The Rod the teachers whip the kids. I had
to wonder why the kids in
Spare The Rod didn’t just hit the teacher
back? They’re not going to stay after 14 anyway, so what do they have to lose?
What is the school going to do, expel them a month before they age out?
Omitted from the
film is the eyebrow-raising romance between him and a sexy blonde White teacher
at the school. They get nasty remarks from two old biddies on a train during
the field trip, and they get attitude from a waiter in a restaurant. When he
meets her parents, they’re not averse to him, but apprehensive. It seems that a
lot of the xenophobia in the story has to do more with apprehension than
outright fear or jealousy. An employer tells him “I’m sorry, but we have
Englishmen who’ve been working here for years and we wouldn’t be able to make
you their boss.” There’s a funny scene where he gets a hostile response while
checking a room for rent, but just as she’s about to slam the door at him, a
girl peeks out and goes “oh no, Mum, that’s Sir!” For some reason, I found the
woman’s rudeness comical.
Brathwaite’s
version of the events is disputed in the book An East End Story by Alf Gardner.
The former student states that Brathwaite was mean, abusive, gladly used the
rod, and the girls were uncomfortable around him. He also states that while the
headmaster had officially banned caning, Brathwaite used it anyway. However, I
wonder if Brathwaite was just too much of a Victorian moralist for Gardner’s
tolerance? None of the other pupils have come forward (if any of them are still
alive) and the school’s radical headmaster Alex Bloom died in the 1950’s. Was
Mr. Bloom a Jew? There are several Jewish characters in the book, though their
goals and aspirations are different from those you’ll know in the USA (there
are few Jewish doctors in the UK.) From my experience, the Jewish Briton
doesn’t make a spectacle of himself, probably thanks to centuries of
Anti-Semitism. You won’t see lots of noticeably Jewish comedians in the UK
either. No Adam Sandlers or Rodney Dangerfields there.
I’m not sympathetic
to all the kids in the book, by the way. When the biracial student named Seale
loses his mother, they all buy a wreath, but won’t take it to his house. They
don’t want to be seen going to a colored person’s house, because “people will
start to talk.” They all go to the funeral, pressed and clean, but won’t visit
the house, and this is the part where I got upset. The class asshole, a boy
named Denham, likes to be the tough guy, but he’s too afraid of housewife
gossip to show solidarity. I wonder sometimes if the ultimate test of toughness
is standing up to your own friends and family? When A. Philip Randolph
supported Albert Shanker and the Teacher’s Union, he lost a lot of support from
his own people. Fidel Castro, another famous leftist, supported everything the
Soviets did, and was seen as a desperate puppet. Unlike Castro, Romania’s
communist dictator denounced the Soviet invasion of Czechoslovakia and won
worldwide respect.
Perhaps
Brathwaite, a teacher in 1949 Britain, had the same problem as US teachers 70
years later? When your dealing with lower-class kids from troubled backgrounds,
it’s like trying to de-brainwash a cult member. These kids have been taught
that it’s cute to be stupid, and that insults have to be avenged, and that you
get respect by being bad. Think of all the White (or educated Black) teachers
who keep saying “no, it’s not okay to shoot someone” and the kid is never
convinced. It took Brathwaite a while to convince the girls that skankiness is
not a turn-on.
I found the book much better than the movie,
in part because Sidney Poitier’s acting style is annoying. The fact that
Brathwaite is not an American is a big help, because the social class dynamic
plays a big part. During my time in the UK, I found that class differences were
a taboo subject that were only mentioned in the occasional comedy. It’s a sore
point in the UK, whether Cockney accents are acceptable or not, and whether
proper speech means polished vowels. If you go into the courts, you’ll hear the
judges and barristers all speaking with refined posh accents, no low-class
drawls in the court. Go into a US court, and you’ll hear judges with Staten
Island accents. You’ll hear low-class accents among police chiefs, judges, army
officers, doctors, and politicians. They’ll wear it like a badge of honor.